Book Aaha Kalyanam Telugu Premiere Show Tickets Online-Advanced Ticket Booking
Aaha Kalyanam
Release Date :Feb 21, 2014
Director :Gokul
Genre :Comedy, Romance
Language :Telugu
Cast & Crew :Nani, Vaani Kapoor
Nani & Amala Paul's Janda Pai Kapiraju Movie Stills |
Nani & Amala Paul's Janda Pai Kapiraju Movie Stills
Nani is presently doing Paisa Movie,in which his character name is Pra'cash'.Already,his character name always played an important role from his Debut Movie.'Mahesh' in Astha Chamma , 'Gautham' in Ala Modalaindi and 'Nani' in Eega ...Now Pracash in Paisa.
Nani character name in the Movie is Prakash but he Pronounces it as Pra'Cash'.Catherine and Siddhika will be pairing Opposite Nani.The Movie is directed by Krishna Vamsi and Produced by Ramesh Puppala under the banner Yellow Flower banner.The music is composed by Sai Kartik and Lyrics by Sirivennela Seetharama Sastri.We have already seen nani doing these type of roles in Pilla Jamindar,Hope he Continues his excellence in pleasing audience with his action and Performance.
Cast : Nani, Samantha, Anupama Kumar, Ravi Raghavendra…
Director :Gautham Menon
Producer :Gautham Menon, Venkat Somasundaram, Reshma Ghatala, C Kalyan, C V Rao
Music Directior : ilyaraja.
Genre :Romance
Release Date: 14th December 2012
As mentioned a couple of months ago that Nani is most likely to do the remake of Ranveer Singh-Anushka Sharma’s 2010 Bollywood blockbuster movie ‘Band Baaja Baaraat’.Now it has been confirmed by the actor himself that he signed the film on dotted line.
Parineeti Chopra of ‘Ladies V/S Vicky Bahl’ fame, who won the Filmfare award for Best Female Debut for the film in 2011 might be the heroine of this film. Bollywood’s leadingproduction house Yashraj Films is stepping into the south to remake this film in Telugu and Tamil simultaneously.
Meanwhile, actor Nani awaits the release of his much anticipated romantic entertainer ‘Yeto Vellipoyindi Manasu’, which is on December 14th. Apart from that, he is currently involved with Krishna Vamsi’s ‘Paisa’ and Samuthirakani’s ‘Janda Pai Kapiraju’ which are under production. He is currently shooting for the ‘Paisa’ in Dubai.
Produced by Photon Kathaas and RS Infotainment, directed by Gautham Vasudev Menon, Neethane En Ponvasantham is a love story (or as the director cleverly puts it across – moments from Varun-Nithya’s love story). With excellent acting, fantastic music.
The film starts off when Varun joins college and he meets Nithya in thecollege culturals. They share a history of love-hate relationship. First, they meet when they were kids and then when they were in school. Sparks fly when they meet duing college and they are together for the next four years. The film tries to capture some interesting moments in their lives.
Despite excellent acting by Samantha and Jiiva, you really do not care as muchfor Varun and Nithya as you should have. Beyond a point their fights become irritating and you wonder why at all they should be together. The biggest drawback of NEP is the script focusses too much on the fights between Varun and Nithya and not so much on romantic moments. And you know the director has faltered when he packs off Nithya on a holiday to Edinburgh, and focuses on Varun and you immediately sit up with interest. The moment Nithya is back, the script sags again.
Just like in the Tamil film Khushi, a key scene happens on the rooftop just before the interval – the roof topacts as a character here (Varun-Nithya have had some real intimate moments in this rooftop), but the scene is absolutely ineffective due to the mishandling by the director.. Nithya teaching Varun how to pronounce Edinburgh, the initial school scenes, the climax scene in the same rooftop, the family scenes which changes Varun from a boy to a man
The climax is very good on its own,but when compared to the rest of the film, it is outstanding. And what works here are the moments where no one talks – and this is where Raja scores. What a BGM in the last few minutes. When you hear Raja’s BGM in the last few scenes, you immediately realize what is wrong with the film – through the film, some one or other keeps on talking, and there is just no scope for BGM